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Mercenaire - still #1
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Mercenaire - still #2
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Mercenaire - still #3

Mercenaire

(Mercenaire)
US Premiere

Director: Pier-Philippe Chevigny

Canada, 2024, 15 min

Shooting Format:Arri Digital

Festival Year:2025

Category:Narrative Short

Genre:Drama

Cast:Marc-André Grondin, Émile Schneider, Jean-Guy Bouchard, Sandrine Bisson, Marc Beaupré

Crew:Writer: Pier-Philippe Chevigny. Producer: Geneviève Gosselin-G.

Email:pierphilippechevigny@gmail.com

Web:lefoyerfilms.ca/en/film/mercenaire/

Synopsis

Hired at a pig slaughterhouse through a social reintegration program, an ex-convict desperately tries to find another job while repressing his inner violence.

Trailer

About the director

Pier-Philippe Chevigny is a filmmaker from Montreal, Quebec. His films combine anxiety-inducing camerawork and suspenseful scripts based on contemporary social issues. In 2019, his short film Rebel was an international success : over 130 festival selections (including TIFF, Busan, Namur, Stockholm, Vladivostok) and 30 awards including the Oscar-Qualifying Golden Owl Award at Tirana. His first feature Richelieu, completed in 2023, enjoyed a similar success on the Festival circuit, with prestigious selections at Karlovy Vary, Tribeca, Palm Springs and Fantasia. In 2024, he returned to the short film world with Mercenaire which premiered at TIFF and went on to win the Special Jury Award at Clermont-Ferrand. Pier-Philippe has several projects in development at Le Foyer Films, including his follow-up feature Arsenal, co-written with fellow Quebec filmmaker Chloe Robichaud.

Website Filmography

Filmmaker's note

After Vétérane and Rebel, Mercenaire is the third short film in a series of “tense social portraits”. This latest entry is perhaps my most personal film yet. I grew up in a region with a strong presence of organized crime, and I witnessed the downfall of several of my childhood friends who were imprisoned for violent crimes. In Quebec, the meat industry is a leading employer for ex-convicts, who are often rejected by the rest of the labor market. The dramatic irony of the situation is quite telling: although per our system they were imprisoned as a way to rehabilitate them from their own violence, they’re thrown right back in a cruel environment as if society deemed them only good for killing. Inspired by an original idea by actor Marc-André Grondin, I wrote a screenplay based on my research on slaughterhouses and on horrifying blunders that some employees confided having witnessed. I wanted to make a tense, anxiety-inducing film, with directorial choices that imprison the viewer inside this suffocating workplace alongside David.

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