Sisters: Dreams & Variations
Director: Catherine Legault
Crew:Writer: Catherine Legault. Producers: Catherine Legault, Isabelle Phaneuf-Cyr. Cinematography: Catherine Legault; Sound: Catherine Legault, Eric Shaw; Editing: Catherine Legault; Animation: Jasa Baka, Frances Adair Mackenzie, Kara Blake, Calvin Brett; Sound Design: Kyle Stanfield; Original Music: Tyr Jami, Justin Guzzwell, Eric Shaw; Mixing: Olivier Gervais
Email:kate@concertofilms.com
Synopsis
Tyr and Jasa grew up in an artistic household where art was a way of life. Quirky and insightful
sisters, Tyr is a musician and singer while Jasa is an interdisciplinary artist. Inspired by their great-
grandmother’s recordings of Icelandic folk songs, they have developed artistic practices that draw
on their colourful imaginations and Icelandic roots. Their exploration leads them to journey to
Iceland for the first time and collaborate on a project that brings together their artistic disciplines
and cultural heritage.
In her debut feature film “Sisters: Dream & Variations”, editor and filmmaker Catherine Legault
immerses us in an oneiric world made up of animation, performances and cinema vérité. More than
a portrait, the film is an inspiring look at the artistic approach, its various forms and how it can
simultaneously express and explore who we are.
Trailer
About the director
Catherine is an award-winning documentary filmmaker and editor with a film production degree from Montreal’s Concordia University. In 2016, she founded Concerto Films. Her début feature, the documentary “Sisters: Dream & Variations” (2019), screened widely on the international festival circuit as well as in cinemas and on television. The film was a five-time winner at the IndieFEST Film Awards and took an IRIS at the Gala Québec Cinéma. “LARRY (they/them)” (2024) is her second feature. For Catherine, valuing diversity isn’t just some politically correct stance: rather, it shapes how she lives and relates to others. Her films stand as open and caring spaces, invitations to look further and see things differently.
Filmmaker's note
I wanted to make a project about art and the creative process. In my own life, as well as in my editing practice, I have been drawn to themes of travel, family and intergenerational transmission. I met Tyr in 2008, when I started taking cello lessons with her, and soon after, her sister Jasa. My interest in Tyr and Jasa was sparked by their artistic approach but, as filming progressed, their family influence became just as important. Although the Icelandic connection and their great- grandmother, Ingibjorg, was integral to their work, I had very little information about it. This thread developed when I met with their mother, Debora. Having grown up with Ingibjorg, she had several stories about her as well as an incredible number of archives, the oldest dating back to 1917. In the spring of 2017, I accompanied Tyr, Jasa and Debora on their trip to Iceland, where I captured their cultural and family explorations. It was an unforgettable journey and a life changing experience for everyone involved. After five years of hard work, I finally saw my film come together. When I returned to Montreal, I started the post-production. The animation sequences quickly became essential to give life to the character of Ingibjorg and to transport the audience to the pictorial poetry of the Icelandic folk songs. Based on documentary elements, the animations combine 2D composition, stop-motion animation and animated drawings. After two years of work and a maternity leave later, I was ready to put the finishing touches to the film with the original music. Composed over several weeks, the soundtrack mixes traditional and classical music with electro-pop and psychedelic arrangements. Reinterpreted Icelandic sounds give a new dimension to the film which, I hope, will immerse the viewer in its colorful world. The film also touches on the broader themes of family lineage, womanhood and immigration and how they can influence individuality. I believe that it’s important to know our roots to better understand who we are. I made “Sisters: Dream & Variations” as an homage to grandmothers everywhere, a visual poem of thanks.