Not Today
Director: Christian Meola
United States, 2025, 17 min
Shooting Format:Digital
Festival Year:2026
Category:Narrative Short
Genres:Drama, Coming of Age
Cast:Eric Ramos, Jaime Leal, Jake Wilson, Oliver Aaro
Crew:Writer: Christian Meola. Producer: Kat Barnette. Editor: Jake Hammond. Director of Photography: Nicola Newton.
Email:crmeola@gmail.com



Synopsis
Eric tries to figure out how to help his friend Jaime after catching him doing something he wasn’t supposed to see.
Trailer
About the director
Christian Meola is a filmmaker and theater director in Austin, Texas, whose recent work focuses on unusual encounters between men and the influence of male interpersonal dynamics on identity, sexuality, and self-expression. He won Best Narrative Film at Fencesitter Film Festival with “Stardust” and the "You're Special" award at Bizarroland Film Festival in 2020. He was a finalist for the 2025 Pandora Short Film Grant and the 2025 New Voices Filmmaker Grant with his short film "Tomorrow." Christian’s films have screened throughout the U.S., at IFC Center, Palm Springs ShortFest, Frameline, and New Orleans, Atlanta, and Miami film festivals, as well as internationally in Prague, Brussels, Greece, and Australia.
Filmmaker's note
“Not Today” draws on my experience growing up as a gay kid on the outskirts of male friend groups, longing for companionship but never feeling like I could be one of the guys. Eventually, I realized the barriers that made connecting with certain men difficult weren’t just affecting me but their relationships with each other.
It’s from this outsider perspective that I direct a compassionate gaze onto the complex emotions many heteronormative men experience but do not articulate. Instead of action plots or romance pursuits, feelings take center stage in my work as the characters enter territory we’re not used to seeing them travel; an otherwise seemingly jovial young man who’s secretly self-harming challenges our expectations of how masculinity presents itself.
My goal is to portray the difficulty in verbalizing fears, needs, desires, and shame for someone embedded in a group dynamic that discourages sincerity. These are vulnerable beings conditioned to deflect what they’d rather not feel and talk around what they’re trying to say. However, their actions also reflect concerns that could hinder anyone in this situation: they don’t want to cross a line, embarrass themselves, burden one another with their problems, or upset the foundations that created their bond.
As Eric navigates witnessing behavior he wasn’t supposed to see and doesn’t understand, the audience is placed in Eric’s position with no easy answers that direct to a clear solution or explanation of Jaime’s behavior, only suggestions that lead to several interpretations. The only thing certain is an underlying desire from all parties; a longing for togetherness, for everything to be okay.
Christian Meola
Writer, Director






