We Keep On Looking For You
Director: Diego Andres Andres Murillo
Venezuela, 2025, 14 min
Shooting Format:Digital
Festival Year:2026
Category:Experimental
Genres:Archive, Speculative Fiction
Crew:Writer: Reinaldo Arenas. Producers: Diego Andres Andres Murillo, Eduardo Andres Díaz. Music: Andres Levell
Email:diegosoce21@gmail.com



Synopsis
A voice-presence makes a "sad film of his homeland, Venezuela", for a dying patient to ease its passing. In between montage errors and political archival imagery of Kennedy's strange visit to South America in the year 61´, the personal and the collective collides one last time through the words of poet Reinaldo Arenas.
About the director
Artist/self-taught filmmaker: director, writer, editor, producer. I was born and raised in Caracas, Venezuela and graduated both from Media Studies (Andres Bello Catholic University) as well as Digital photography (The Roberto Mata School). At twenty three -year 2016- I migrated from my native country out of necessity and unexpectedly stayed in New York City when an opportunity appeared, my home for the past 9 years. To fight diasporic conditions and find others to collaborate, I co-founded EL FANTASMA, a Venezuelan film collective/studio which now has under its arms more than ten premiered shorts and two finished features. El Sonido Es El Cuerpo “Sound Is The Body”, my first long-form film, currently awaits release as I develop a second one, Fiebre Karibe “Karibbean Fever”, while continuing to work on other parallel projects.
My film work usually entails speculative fictions that tackle topics such as individual/collective migration (Venezuelan), dystopian imaginations, historical re-imagining, and repressed desires, emotions & malaises as consequences of political/collective environments. These films have screened and won awards at international film festivals including Locarno, Brussels, Sitges, Cinélatino Toulouse, Tacoma Film Festival, Brooklyn Film Festival, Uruguay Film Festival, Chicago Latino FF, among others. I’m a recipient of the Jerome Production Grant, the Venezuelan National Film Fund, and have participated in programs such as the Locarno Open Doors, Locarno Spring Academy, Tres Puertos Lab and the CineQuaNon Residency. I was recently an invited artist at the University of Iowa Cinematic Arts department.
Filmmaker's note
Utilizing archive material from the United States Information Service from when US president Kennedy visited Venezuela, and other internet-derived abstractions, this hybrid-experimental film uses the historical to takes us on a trip through the last moments of a hospital-dying patient as an unknown voice-machine tries to put together a “sad” film to ease his passing into other worlds. The seemingly never-ending words that accompany this shadowed material belong to exiled Cuban poet Reinaldo Arenas. His last words still haunt many of us as we remind ourselves that any form of abusively disguised power is the enemy, whether up north, or back home.


