A Mosquito In The Ear
Director: Nicola Rinciari
Cast:Jake Lacy, Nazanin Boniadi, Ruhi Pal
Crew:Producers: Emily Dillard, Darren Dean, Ali K. Rizvi, Frank Hall Green, Stephen Stanley, Jomon Thomas; Writers: Nicola Rinciari, Emily Dillard; Cinematography: Kai Dickson; Editor: Devon Solwold



Synopsis
Andrew and Daniela travel to Goa, India, to meet their newly adopted 4-year-old daughter, Sarvari, and bring her back to the US. However, their world begins to crumble when Sarvari refuses to leave the orphanage that she calls home behind. The couple’s attempts to welcome their child into her new family and travel back with her prove to be a chaotic challenge that not only tests their patience but also profoundly reshapes their ideas of family, parenthood, and their relationship as a couple.
Trailer
About the director
Nicola is a writer and director from Palermo, Italy. He is currently a BAFTA Newcomer Director and has received prestigious awards for his works as a director, including Best Scripted Series at the College TV Awards presented by the Television Academy Foundation and a nomination at the Student Academy Awards. He has worked as a previsualization artist at DreamWorks Feature Animation on THE WILD ROBOT and in live action previs with some of his credits including THOR: LOVE AND THUNDER, and INDIANA JONES AND THE DIAL OF DESTINY. He graduated with a B.F.A. in Film and TV and was the recipient of the “Outstanding Achievement Award” from the School of the Entertainment Arts at the Savannah College of Art and Design in 2020.
Filmmaker's note
With A MOSQUITO IN THE EAR, my goal was to create a film from the "inside"—one that sheds light on the often untold stories of adoptive parents and their journey toward forming a family with their children. When I learned about the true story that inspired this film and collaborated with adoption agencies to fully understand the process, I had a profound realization. What once seemed like the simple act of welcoming a child into a family led to more complex, personal questions—such as, how much do you need to understand someone to form a meaningful relationship with them? And what must you leave behind to go through this process? The challenges these families face in staying together resonated deeply with me. I left Sicily and came to the U.S. alone as a teenager, with limited knowledge of the language. I asked myself these same questions, and at times, still do, especially in my relationship with a partner from a different culture.
Adoptive parents are often sidelined in cinema and literature, portrayed either as second-class caregivers or as perfect individuals capable of handling anything. But Andrew and Daniela, along with the many adoptive parents we interviewed before making this film, revealed a more human side. Their experiences showed them to be like any loving individuals on the path to parenthood, but with an added layer of challenges. In many ways, they reminded me of my own parents. In the film, Andrew and Daniela struggle to find a balance that seems elusive after Sarvari’s arrival. Andrew can’t figure out how to connect with Sarvari and feels neglected by Daniela, who prioritizes the child. Meanwhile, his efforts always seem to fall short in Daniela’s eyes. As they work to break through to Sarvari, they fail to see how much she, in turn, is transforming them.
Lastly, there’s Sarvari—the adopted child—and India, a marvelous country often misunderstood by Western eyes, that warmly welcomed us during the making of this film. India is home to extraordinary filmmakers who helped ensure our portrayal was as authentic as possible. We wanted to capture the deep bond that often exists between the adopted child and the people and places they come from—things they must leave behind for an uncertain future with foreign parents who don’t yet have a connection with them and don’t yet fully understand them. The real Sarvari, now an adult, and the adopted children we collaborated with for this film have been pivotal in helping us capture these feelings.
A MOSQUITO IN THE EAR offers a window into the world of international adoption, portrayed as authentically as we could, with the joys, challenges, and shortcomings of a process that can always be improved. Our hope is for the audience to reflect on what they see and, most importantly, to feel for the families who must will themselves into existence.






